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X-WR-CALNAME:British Sign Language Calendar
NAME:British Sign Language Calendar
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DTSTART:20180325T020000Z
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DTSTART:20181028T020000Z
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SUMMARY:BSL Tour of the Deutsche Börse Photography Foundation Prize
	 2018 exhibition
DTSTAMP:20180307T110428Z
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UID:11-2-9094ca72c6411a1c90a0f1ce84a01a67@www.signlanguageforum.com
ORGANIZER;CN="TPG":hello@signlanguageforum.com
DESCRIPTION:\n\n	\n		\n			\n				\n					At The Photographers’ Gallery C
	horeographer and artist Chisato Minamimura leads a British Sign Language t
	our of the Deutsche Börse\n\n					Photography Foundation Prize 2018 exhib
	ition.\n\n					Free\, booking essential\n				\n\n				\n					https://thepho
	tographersgallery.org.uk/whats-on/talk/bsl-tour-dbpfp\n				\n\n				\n					
	The four artists shortlisted for the Deutsche Börse Photography Foundati
	on Prize 2018 are Mathieu Asselin\, Rafal Milach\, Batia Suter and Luk
	e Willis Thompson. \n\n					Curated by TPG’s Anna Dannemann\, the 2018 
	shortlist showcases diverse and innovative photographic practices\, which 
	recognise and celebrate the many developments within the medium\, while al
	so challenging its boundaries. All of the projects share a deep concern wi
	th the representation of knowledge through images\, where facts can be man
	ipulated and meanings can shift. Presented across the 4th and 5th floors o
	f the Gallery\, the exhibition features a searing photographic interrogati
	on of global biotech giant\, Monsanto by Mathieu Asselin\; an expansive po
	rtrayal of the ubiquitous tactics of government control and propaganda fro
	m Rafal Milach\; an encyclopaedic collection of visual taxonomies that exp
	ose the shifting and relative meanings of printed images depending on thei
	r context by Batia Suter\; and Luke Willis Thompson’s deeply affecting f
	ilmic study of grief that reflects the personal stakes of visual represent
	ation. Collectively and individually\, the four projects drive forward an 
	artistic enquiry into the mechanics of visibility and concealment and inte
	rrogate the status and position of the image in contemporary culture.\n			
		\n			\n		\n	\n\n
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